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	<title>Phonologue</title>
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	<link>http://www.gramaphonerecords.com/blog</link>
	<description>The Gramaphone Records Blog</description>
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	<managingEditor>jason@gramaphonerecords.com (Gramaphone Records Chicago)</managingEditor>
	<webMaster>jason@gramaphonerecords.com (Gramaphone Records Chicago)</webMaster>
	<category>Gramaphone Records Chicago\'s Phonocast</category>
	<ttl>1440</ttl>
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	<itunes:subtitle>Podcast of Phonologue / Gramaphone Records, all live mixes recorded at the Chicago location</itunes:subtitle>
	<itunes:summary>The Gramaphone Records Blog</itunes:summary>
	<itunes:keywords>gramaphone, records, chicago, vinyl, record store, store, shop, blog, dj mix, techno, house, dubstep, garage, chicago house, minimal, acid, jazz, downtempo, hiphop, funk, nuwave, punk, rock</itunes:keywords>
	<itunes:category text="Music" />
	<itunes:author>Gramaphone Records Chicago</itunes:author>
	<itunes:owner>
		<itunes:name>Gramaphone Records Chicago</itunes:name>
		<itunes:email>jason@gramaphonerecords.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
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		<item>
		<title>Phonocast 06 &#8211; Jamie 3:26</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/15/phonocast-06-jamie-326/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/15/phonocast-06-jamie-326/#comments</comments>
		<pubDate>Tue, 15 May 2012 07:16:21 +0000</pubDate>
		<dc:creator>m50</dc:creator>
				<category><![CDATA[PHONOCAST]]></category>
		<category><![CDATA[acid]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[beatdown]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[deep house]]></category>
		<category><![CDATA[Detroit]]></category>
		<category><![CDATA[gospel house]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[industrial]]></category>
		<category><![CDATA[Jamie 326]]></category>
		<category><![CDATA[Phonocast]]></category>
		<category><![CDATA[Podcast]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1887</guid>
		<description><![CDATA[From his Chicago roots spring ties to 5 Magazine (where he contributed to their DJ mix series) and his edits on Partehardy Records, and he shows off a full range of sound on this installment to the Phonocast series. Stretching from raw electroid and industrial sounds to lush r&#38;b and gospel house, to beatdown and funkadelic styles, ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/15/phonocast-06-jamie-326/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<itunes:duration>0:00:01</itunes:duration>
		<itunes:subtitle>From his Chicago roots spring ties to 5 Magazine (where he contributed to their DJ mix series) and his edits on Partehardy Records, and he shows off a full range of sound on this installment to the Phonocast series. Stretching from raw electroid and[...]</itunes:subtitle>
		<itunes:summary>From his Chicago roots spring ties to 5 Magazine (where he contributed to their DJ mix series) and his edits on Partehardy Records, and he shows off a full range of sound on this installment to the Phonocast series. Stretching from raw electroid and industrial sounds to lush r&#38;b and gospel house, to beatdown and funkadelic styles, he works it out for this Record Store Day special in-store session. This set was recorded on the evening of Saturday April 21st at the shop.</itunes:summary>
		<itunes:keywords>PHONOCAST</itunes:keywords>
		<itunes:author>Gramaphone Records Chicago</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Eddie Palmieri &#8211; Mi Congo Te Llama 12&#8243; &#8211; Fania</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/10/eddie-palmieri-mi-congo-te-llama-12-fania/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/10/eddie-palmieri-mi-congo-te-llama-12-fania/#comments</comments>
		<pubDate>Thu, 10 May 2012 16:14:05 +0000</pubDate>
		<dc:creator>Oscar McMillan</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[deep]]></category>
		<category><![CDATA[deep house]]></category>
		<category><![CDATA[downtempo]]></category>
		<category><![CDATA[Eddie Palmieri]]></category>
		<category><![CDATA[Joe Claussell]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Sacred Rhythm]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1883</guid>
		<description><![CDATA[For those that are unfamiliar with Eddie Palmieri&#8216;s work, here is an open invitation to the magnificence of his latest piece &#8220;Mi Congo Te Llama&#8221;, a 12 inch produced and mixed by Joaquin Joe Claussell on Fania, distributed by Sacred Rhythm Music. Born of parents from Ponce, Puerto Rico, Eddie was raised in the South ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/10/eddie-palmieri-mi-congo-te-llama-12-fania/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Noleian in-store at Gramaphone tomorrow</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/10/noleian-in-store-at-gramaphone-tomorrow/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/10/noleian-in-store-at-gramaphone-tomorrow/#comments</comments>
		<pubDate>Thu, 10 May 2012 14:53:26 +0000</pubDate>
		<dc:creator>m50</dc:creator>
				<category><![CDATA[EVENTS]]></category>
		<category><![CDATA[Preview]]></category>
		<category><![CDATA[Africans With Mainframes]]></category>
		<category><![CDATA[Antenna International]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Clone]]></category>
		<category><![CDATA[Creme Organization]]></category>
		<category><![CDATA[Future Times]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[Mathematics]]></category>
		<category><![CDATA[Noleian]]></category>
		<category><![CDATA[Noleian Reusse]]></category>
		<category><![CDATA[Phonocast]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[techno]]></category>
		<category><![CDATA[Tevo Howard]]></category>
		<category><![CDATA[Tevo Howard Recordings]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1863</guid>
		<description><![CDATA[Noleian, top notch experimental techno and house deejay and recording artist with solo releases on Mathematics, Tevo Howard Recordings,  and Love What You Feel, plus appearances on Future Times, Creme Organization and Antenna International, sometimes one half of Africans With Mainframes&#8230; one of Chicago&#8217;s hidden talents. Come and check out his selections this Friday evening, ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/10/noleian-in-store-at-gramaphone-tomorrow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tim Sweeny&#8217;s &#8216;Beats In Space&#8217; Label brings you Secret Circuit</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/09/tim-sweenys-beats-in-space-label-brings-you-secret-circuit/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/09/tim-sweenys-beats-in-space-label-brings-you-secret-circuit/#comments</comments>
		<pubDate>Wed, 09 May 2012 16:00:05 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Beats In Space]]></category>
		<category><![CDATA[Eddie Ruscha]]></category>
		<category><![CDATA[Secret Circuit]]></category>
		<category><![CDATA[Tim Sweeny]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1878</guid>
		<description><![CDATA[Some seriously spaced out, psychedelic tech-house music is what&#8217;s at the heart of this second release on Beats In Space. Not all too surprising considering the variety of music featured on BiS. The lead cut on this offering from Secret Circuit (Eddie Ruscha) is &#8220;Nebula Sphynx&#8221;, a journey through squelching analogue synths, soaring arpeggios and ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/09/tim-sweenys-beats-in-space-label-brings-you-secret-circuit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Frozen Border 01 gets a repress</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/07/frozen-border-01-repress/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/07/frozen-border-01-repress/#comments</comments>
		<pubDate>Mon, 07 May 2012 16:00:23 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[Re-issue]]></category>
		<category><![CDATA[REVIEWS]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1872</guid>
		<description><![CDATA[This repress of 2009&#8242;s Frozen Border 01 is seemingly from a time much sooner than that. Punishing, Hard Detroit styled techno on the A side. A touch housier feel on the B with some stuttering delayed stabs and sub bass pulse. This EP sounds like it should be played in a factory not a club. ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/07/frozen-border-01-repress/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Echo 106 &#8220;Broken Hihat Machine EP&#8221; on Mathematics</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/05/echo-106-broken-hihat-machine-ep-on-mathematics/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/05/echo-106-broken-hihat-machine-ep-on-mathematics/#comments</comments>
		<pubDate>Sun, 06 May 2012 00:16:22 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Echo 106]]></category>
		<category><![CDATA[Jamal Moss]]></category>
		<category><![CDATA[Mathematics]]></category>
		<category><![CDATA[Switzerland]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1869</guid>
		<description><![CDATA[Jamal Moss&#8217; Mathematics label is truly one of the most exciting out there. There is no pretense about what you are going to get, as the label continues to feature adventurous music from artists from all over the world. In this case it is Switzerland&#8217;s Echo 106. This EP really took me back to the ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/05/echo-106-broken-hihat-machine-ep-on-mathematics/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Moodymann &#8211; Classics Vol. 2</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/03/moodymann-classics-vol-2/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/03/moodymann-classics-vol-2/#comments</comments>
		<pubDate>Thu, 03 May 2012 16:00:43 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[Re-issue]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[KDJ]]></category>
		<category><![CDATA[Kenny Dixon Jr.]]></category>
		<category><![CDATA[Moodymann]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1857</guid>
		<description><![CDATA[I know I do this every once in a while, but this one again is a no brainer. Its a bootleg repress of 1994&#8242;s &#8220;The Day We Lost The Soul/Tribute! (To The Soul We Lost)&#8221; and 1995&#8242;s &#8220;The Dancer&#8221; both of which are definitely Mr. Kenny Dixon Jr. hitting it on all cylinders. KDJ is ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/03/moodymann-classics-vol-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Florida label Finale Sessions puts together another nice V/A EP.</title>
		<link>http://www.gramaphonerecords.com/blog/2012/05/01/florida-label-finale-sessions-puts-together-another-nice-va-ep/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/05/01/florida-label-finale-sessions-puts-together-another-nice-va-ep/#comments</comments>
		<pubDate>Tue, 01 May 2012 16:00:09 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Basic Soul Unit]]></category>
		<category><![CDATA[Finale Sessions]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Joey Anderson]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[Vincenzo]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1850</guid>
		<description><![CDATA[&#160; Its interesting to find such an affinity for a sound rooted in the midwest USA to be the focus of a label based in the home of sunshine, oranges and Mickey Mouse. However, that&#8217;s whats going on at Orlando&#8217;s Finale Sessions. For this eighth release they round up tracks from Toronto&#8217;s Basic Soul Unit, ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/05/01/florida-label-finale-sessions-puts-together-another-nice-va-ep/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>More out there sounds from Vakula on Leleka.</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/29/more-out-there-sounds-from-vakula-on-leleka/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/29/more-out-there-sounds-from-vakula-on-leleka/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 16:00:38 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Bodycode]]></category>
		<category><![CDATA[Echospace]]></category>
		<category><![CDATA[Leleka]]></category>
		<category><![CDATA[Matthew Dear]]></category>
		<category><![CDATA[Vakula]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1846</guid>
		<description><![CDATA[The Ukraine&#8217;s Vakula (Mikhaylo Vityk) is certainly making his name producing otherworldly house and techno and this 2nd release on his Leleka label does not stray from that formula. First off beyond the sound it contains, the package certainly fits the dynamic beauty of the music. With a White/Black vinyl showing a hand stamped label on ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/29/more-out-there-sounds-from-vakula-on-leleka/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ike Release launches his Episodes imprint.</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/27/ike-release-launches-his-episodes-imprint/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/27/ike-release-launches-his-episodes-imprint/#comments</comments>
		<pubDate>Fri, 27 Apr 2012 16:00:52 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Episodes]]></category>
		<category><![CDATA[Hakim Murphy]]></category>
		<category><![CDATA[Ike Release]]></category>
		<category><![CDATA[Panorama Bar]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1842</guid>
		<description><![CDATA[For his new vinyl only label Episodes, Ike Release has put together a solid EP of gritty, machine driven house. From the square bass wanderings of &#8220;Subsequent&#8221; to the driving groove and chorded melody of &#8220;Puntigam&#8221; he is showcasing a sound more derivative of his home town than some of his previous garage/bass work for ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/27/ike-release-launches-his-episodes-imprint/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lokua &#8211; Underly 12&#8243; &#8211; CPKay</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/23/lokua-underly-12-cpkay/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/23/lokua-underly-12-cpkay/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 11:34:51 +0000</pubDate>
		<dc:creator>m50</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[CPKay]]></category>
		<category><![CDATA[Lokua]]></category>
		<category><![CDATA[techno]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1821</guid>
		<description><![CDATA[Chicago-based producer &#38; prolific live PA artist Lokua helps launch the new (also local) CPKay imprint with his debut EP. The 12&#8243; is 3-part theme &#38; variation on stonking, heavy, proper-techno sound. Very much in line with the recent works of Time To Express, Prologue and their ilk, this is a precisely produced salvo of ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/23/lokua-underly-12-cpkay/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jason Grove &#8211; 313.4.EVER &#8211; Skylax Records</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/18/jason-grove-313-4-ever-skylax-records/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/18/jason-grove-313-4-ever-skylax-records/#comments</comments>
		<pubDate>Wed, 18 Apr 2012 22:00:18 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Jason Grove]]></category>
		<category><![CDATA[Jeff Mills]]></category>
		<category><![CDATA[Nicholas]]></category>
		<category><![CDATA[Skylax]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1816</guid>
		<description><![CDATA[After reading bio material on this release, I think it may be complete bullshit. The story goes, Jason Grove is a reclusive Detroit producer from the late 80&#8242;s who worked with Jeff Mills and Anthony Srock on the Final Cut stuff. For those who don&#8217;t know Final Cut was a House Group turned Industrial band ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/18/jason-grove-313-4-ever-skylax-records/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Inner City reworks on Defected</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/17/inner-city-reworks-on-defected/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/17/inner-city-reworks-on-defected/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 22:00:47 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Ann Saunderson]]></category>
		<category><![CDATA[Defected]]></category>
		<category><![CDATA[Inner City]]></category>
		<category><![CDATA[Kenny Larkin]]></category>
		<category><![CDATA[Kevin Saunderson]]></category>
		<category><![CDATA[Orlando Voorn]]></category>
		<category><![CDATA[Paris Grey]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1812</guid>
		<description><![CDATA[So after some time we got to hear some new music from Inner City in 2011. This incarnation really reads more like a super group with Kevin Saunderson being joined by not just Paris Grey but also his daughter Ann, Kenny Larkin and Orlando Voorn. The track they made was hugely emotional, big room fare ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/17/inner-city-reworks-on-defected/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Omar S delivers some new raw house on FXHE</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/17/omar-s-delivers-some-new-raw-house-on-fxhe/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/17/omar-s-delivers-some-new-raw-house-on-fxhe/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 16:00:26 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[FXHE]]></category>
		<category><![CDATA[Omar S]]></category>
		<category><![CDATA[Patrik Sjeren]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1809</guid>
		<description><![CDATA[So, yeah&#8230; Omar S just keeps punishing us with creative, raw house music. This time with help from a new friend Patrik Sjeren. This one kicks off with &#8220;Income Tax Refund Dance&#8221; a slightly bizarre sounding, yet playful tune that keeps you moving while expanding your mind. This is followed by the more groovy &#8220;The ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/17/omar-s-delivers-some-new-raw-house-on-fxhe/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>New edits on Disco Deviance from Rahaan</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/16/new-edits-on-disco-deviance-from-rahaan/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/16/new-edits-on-disco-deviance-from-rahaan/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 22:00:20 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[Edits]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Kano]]></category>
		<category><![CDATA[Rahaan]]></category>
		<category><![CDATA[Sabu]]></category>
		<category><![CDATA[The Escorts]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1806</guid>
		<description><![CDATA[For this edition of the Disco Deviance edit series (number 24 if you&#8217;re counting) Chicago&#8217;s own Rahaan gets the nod and he certainly delivers. With a solid, boogie-down assembly of The Escorts&#8217; &#8220;Make Me Over&#8221; Rahaan takes the track to peak hour party levels. Full of rounded lows and a steady stomp, this one is ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/16/new-edits-on-disco-deviance-from-rahaan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Larry Heard&#8217;s Housefactors &#8220;Play It Loud&#8221; gets a re-release on Black Market Records</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/15/larry-heards-housefactors-play-it-loud-gets-a-re-release-on-black-market-records/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/15/larry-heards-housefactors-play-it-loud-gets-a-re-release-on-black-market-records/#comments</comments>
		<pubDate>Sun, 15 Apr 2012 22:00:25 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[Re-issue]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Black Market Records]]></category>
		<category><![CDATA[Larry Heard]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1800</guid>
		<description><![CDATA[Larry Heard is a legend so I need not say much about him. He has a knack for making even the most punishing house pretty and musical, a fact which is very evident on this re-release of his 1988 Play It Loud EP. The A-side jacks around a twisting and turning synth bass line that ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/15/larry-heards-housefactors-play-it-loud-gets-a-re-release-on-black-market-records/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;One Time Or One More Time EP&#8221; by No Milk on Ragrange Records</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/15/one-time-or-one-more-time-ep-by-no-milk-on-ragrange-records/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/15/one-time-or-one-more-time-ep-by-no-milk-on-ragrange-records/#comments</comments>
		<pubDate>Sun, 15 Apr 2012 16:00:25 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[Capricious]]></category>
		<category><![CDATA[No Milk]]></category>
		<category><![CDATA[Ragrange Records]]></category>
		<category><![CDATA[Third Ear]]></category>
		<category><![CDATA[Yore]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1796</guid>
		<description><![CDATA[With this one Japanese producer No Milk of Third Ear, Yore and Capricious bends many rules and lines about what house music should sound like, especially for ears more accustomed to the rehashing of the same house sound over and over. Here No Milk delivers some serious no holding back house music but with some ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/15/one-time-or-one-more-time-ep-by-no-milk-on-ragrange-records/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NY Stomp&#8217;s &#8220;Can You Feel It EP&#8221; on Illusion Recordings</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/14/ny-stomps-can-you-feel-it-ep-on-illusion-recordings/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/14/ny-stomps-can-you-feel-it-ep-on-illusion-recordings/#comments</comments>
		<pubDate>Sat, 14 Apr 2012 22:00:07 +0000</pubDate>
		<dc:creator>Scotty Brandon</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[DJ Aakmael]]></category>
		<category><![CDATA[Gerd]]></category>
		<category><![CDATA[Illusions Records]]></category>
		<category><![CDATA[Nicholas]]></category>
		<category><![CDATA[NY Stomp]]></category>
		<category><![CDATA[Quintessentials]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1793</guid>
		<description><![CDATA[With a definite lean towards the 90&#8242;s house sounds of New York/New Jersey this takes Gerd back to his humble beginnings. Since his first tracks back in the early to mid 90&#8242;s the dutch producer  named Gert-Jan Bijl has dabbled in many musical genres and sounds, however here he goes back to his roots under ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/14/ny-stomps-can-you-feel-it-ep-on-illusion-recordings/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Obsolete Music Technology &#8211; Mmmmmusic 12&#8243; &#8211; Emphasis</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/13/obsolete-music-technology-mmmmmusic-12-emphasis-2/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/13/obsolete-music-technology-mmmmmusic-12-emphasis-2/#comments</comments>
		<pubDate>Fri, 13 Apr 2012 11:21:38 +0000</pubDate>
		<dc:creator>m50</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Chicago Skyway]]></category>
		<category><![CDATA[deep techno]]></category>
		<category><![CDATA[Emphasis]]></category>
		<category><![CDATA[Obsolete Music Technology]]></category>
		<category><![CDATA[Steven Tang]]></category>
		<category><![CDATA[techno]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1742</guid>
		<description><![CDATA[Emphasis proprietor and Obsolete Music Technology alter-ego Steven Tang has always taken a hardware-driven approach to dreamy techno, with melancholy chords and dry punchy drums that align him with the Model 500  and Rhythim Is Rhythim side of the Motor City&#8217;s lineage. Overall, this well-formed EP is no exception. That said, the incorporation of the ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/13/obsolete-music-technology-mmmmmusic-12-emphasis-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Legowelt &#8211; The Teac Life 4xLP &#8211; Legowelt</title>
		<link>http://www.gramaphonerecords.com/blog/2012/04/11/legowelt-the-teac-life-4xlp-legowelt/</link>
		<comments>http://www.gramaphonerecords.com/blog/2012/04/11/legowelt-the-teac-life-4xlp-legowelt/#comments</comments>
		<pubDate>Thu, 12 Apr 2012 02:00:21 +0000</pubDate>
		<dc:creator>m50</dc:creator>
				<category><![CDATA[New]]></category>
		<category><![CDATA[REVIEWS]]></category>
		<category><![CDATA[abstract]]></category>
		<category><![CDATA[acid]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[deep]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[Legowelt]]></category>
		<category><![CDATA[Netherlands]]></category>
		<category><![CDATA[techno]]></category>

		<guid isPermaLink="false">http://www.gramaphonerecords.com/blog/?p=1730</guid>
		<description><![CDATA[While admittedly a pricey collection, this is a real gem of a package. It was originally put out as a free / donation-based digital only album, but happily (perhaps due to strong listener response) Legowelt has self-released the beautiful, rough, personal recordings in vinyl package. Danny Wolfers describes the original project thusly: &#8220;Ok people here ]]></description>
		<wfw:commentRss>http://www.gramaphonerecords.com/blog/2012/04/11/legowelt-the-teac-life-4xlp-legowelt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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